Long knotted carpet with a golden-yellow field covered in fine scrolling vines, a large red central medallion with blue-green pendants above and below, and a wide dark-red border.

The Anhalt Medallion Carpet

Safavid workshop, probably first half 16th century

Cotton (warp), silk (weft), wool (pile); asymmetrically knotted pile · The Metropolitan Museum of Art · Wallpaper

Look for: a big round medallion in deep red in the middle, with a smaller one in green and blue inside it.

A storyA carpet over the Great Hall

AI-written · fiction, not art history

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Read aloud by an AI voice, not a person · 2 min 32 s

From the notebook of a night guard at the Metropolitan Museum, autumn 1946. Imagined.

Monday. They hung the new carpet from the balcony over the Great Hall today. Took eight men and most of the afternoon. It is nearly eight metres long and over four wide, and when it finally dropped open the whole crew stopped talking. A gift from the Kress Foundation. The label men call it the Anhalt carpet, after the German dukes who owned it for a couple of centuries. Persian, they say, from the first half of the fifteen hundreds.

Tuesday. On rounds I keep looking up at it. In the day it is the colour of honey; at night, under the work lights, more like old brass. That yellow ground is unusual, one of the curators told me, rare in carpets of this kind. Right in the middle sits a big round medallion in deep red, with a smaller one inside it in green and blue, and above and below it two long blue-green panels, like lozenge-shaped pools. The border is a wide band of wine red, full of vines.

Thursday. Brought my flashlight up to the balcony rail. If you get close enough, the yellow is not plain at all. It is crowded with thin scrolling stems, curling and doubling back, and among them, birds. Peacocks, I think, tails trailing. Flowers no bigger than a thumbnail. The curator says the same court workshop that drew this probably drew book covers and tile patterns too, which would explain why the middle looks like the front of a very expensive book.

Friday. Story going round that the carpet was left behind by the Ottoman army outside Vienna in 1683 and picked up by the dukes. Curator says it is a nice story and nobody can prove it. I like it anyway.

Saturday. Someone sat down at the knotting of this, row after row, wool on cotton and silk, every knot tied by a hand. Over four hundred years old and you could still walk across it, but here it is hanging in the air over a crowd of people in hats who mostly look straight past it to the stairs.

Sunday. Off duty. Came in anyway and stood under it for ten minutes. My wife thinks I have gone soft. She may be right.

Artwork facts from The Metropolitan Museum of Art and Wikidata

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About this work

The Anhalt Medallion Carpet was made in Iran, probably in the first half of the sixteenth century. The weaver is not known. The warp is cotton, the weft is silk, and the pile is wool, tied with asymmetrical knots. The design includes peacocks, flowers and vines.

The carpet measures 312 by 165 inches (792.5 by 419.1 centimeters). Rolled on an 8-inch tube, it weighs 184 pounds (83.5 kilograms).

The Samuel H. Kress Foundation gave the carpet to the Metropolitan Museum of Art in 1946 (accession number 46.128), and it is part of the museum’s Islamic Art collection.

Where to see it

In the collection of The Metropolitan Museum of Art, New York. Official collection page ↗

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About the work

Title
The Anhalt Medallion Carpet
Artist
Safavid workshop
Date
probably first half 16th century
Medium
Cotton (warp), silk (weft), wool (pile); asymmetrically knotted pile
Dimensions
Rug:; H. 312 in. (792.5 cm); W. 165 in. (419.1 cm); Wt. on 8" tube - 184 lbs. (83.5 kg)
Origin
Iran (Safavid period)
Credit
Gift of Samuel H. Kress Foundation, 1946, 46.128
Collection
The Metropolitan Museum of Art ↗
Artwork
Public domain
Image and data
CC0, released by the museum

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